Beh, l'illustrazione di copertina e retro di questo disco è talmente
bella che non potevo non metterla per intero. - La Musica: è un disco
di puro virtuosismo riuscito, un talentuoso districare matematiche a sè
tortuose, tra movimenti estrosi kraut 70s o noise da math rock nei
momenti più veloci, mentre pecca à mon avis di un ambient strappapalle
in alcune lentezze troppo retro stile calma piatta e/o inseguimenti
alla Lalo Schifrin/Dirty Harry (l'intro di Canedineve, come la prima parte di End With Rabbit). Il cantato Crimson-iano
è in secondo piano rispetto lo strumentale, - i fumi di jazz passano
per la canna del sax, mentre le chitarre sono in continua elucubrazione
(la magnifica title-track), in una serie di riff auto-ipnotici,
intervallati da raffinate introspezioni di piano (sorta di preparazione
tantrica alle follie di Timur Est), e gran uso di percussioni. Il disco in sè non poteva esser migliore (basta da sé Wake Up Okapi),
non perde una virgola, è sul finire di un perfetto esercizio di stile e
l'inizio di eccellere. ps. incredibile.. sono italiani..
++++++++++++++++
Well, i couldnt but placing the whole cd artwork, - such so it's beautiful. Now the Music: it's a disc of pure successfull virtuosity, a talented manner of extrication from tortuous mathematics, between flightly 70s kraut moves, as well as math rock style noise during faster shots, but - frankly à mon avis - it gets nearly boring when it slows down into quiet rarefied ambient melodies dear to Lalo Schifrin/Dirty Harry (the intro for Canedineve, as well as the beginning of End With Rabbit). The Crimson-ish vocals are in the background, - and the jazz smokes pass through the sax' pipe, while guitars are in a continuous act of elucubrating (title track is magnificient), in a number of self-hypnotic riffs, paused by elegant piano introspections (sort of propaedeutic intro for Timur Est's following madness), and wise use of drumming. This album cannot be better, - it fixes the point, and it's on the wave of perfectionism, on the way of excellent exercise. ps. They're from italy, unbelievable, isn't it?
Žmp3s [via record label]:
.1 disarchitecture / glass elephant goes downtown
.2 hassan i sabbah
++++++++++++++++
Well, i couldnt but placing the whole cd artwork, - such so it's beautiful. Now the Music: it's a disc of pure successfull virtuosity, a talented manner of extrication from tortuous mathematics, between flightly 70s kraut moves, as well as math rock style noise during faster shots, but - frankly à mon avis - it gets nearly boring when it slows down into quiet rarefied ambient melodies dear to Lalo Schifrin/Dirty Harry (the intro for Canedineve, as well as the beginning of End With Rabbit). The Crimson-ish vocals are in the background, - and the jazz smokes pass through the sax' pipe, while guitars are in a continuous act of elucubrating (title track is magnificient), in a number of self-hypnotic riffs, paused by elegant piano introspections (sort of propaedeutic intro for Timur Est's following madness), and wise use of drumming. This album cannot be better, - it fixes the point, and it's on the wave of perfectionism, on the way of excellent exercise. ps. They're from italy, unbelievable, isn't it?
Žmp3s [via record label]:
.1 disarchitecture / glass elephant goes downtown
.2 hassan i sabbah
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