Effervescence Sampler
Summer 2004
(12tx cd, 47'12'' - Collectif Effervescence rec 'o4)
| pall youhideme
Il sampler della franciosa Collectif Effervescence records distribuisce 2 pezzi per 6 dei Suoi Gruppi. Apre con la quieta aria artistica et acustica di The Patriotic Sunday (leggi elogi + recensio dell'11 feb scorso), per poi passare all'energico strumentale post-rock di Room 204 in aria primi June of '44, calibrando un margine di tensione e rilascio sulle distorsioni della chitarra. Stuntman5 invece
giocano una sorta di hip-hop su basi elettroniche e campionatori, anche
sfiorando il rap, su atmosfere + underground. Con Exit Stencil Shift invece
si richiama quell'elettronica fatta su tastierine e melodie lo-fi, con
voce lui/lei, su brevi ritornelli e voci impigrite. La ragazza di Audiopixel
invece intona una cantilena dolce infantile su una serie di frequenze
disturbate electro che si trascinano in continue sfaccettature
interrotte, per poi su Origami Mon Ami sfoggiare un arpeggiare amabile di chitarra acustica, senza nessuna sporcizia. Tutt'altra dimensione per i Percevalmusic, a
chiudere il cd, alternando nello strumentale delle due tracce una
corposa batteria + tastiere, e quindi un sinistro assolo di organo da
chiesa. - Su questa pagina dell'etichetta, diversi mp3 dai Gruppi sopracitati.
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Collectif Effervescence records sampler features 2 tracks for 6 Bands. It opens with quiet artistic et acoustic air of The Patriotic Sunday (read greetings + review from past 11feb), and then it's time for powerfull instrumental post rock of Room 204, calling me early months of June of '44, melting a line of tension with blow-ups through guitar distortions. Stuntman5 play a sort of hip-hop on electronic and sampled carpets, touching rap music in somehow in a kind of steamy underground atmosphere. - Exit Stencil Shift recalls of that electronic music built on lo-fi melodies and demodé keybs, with girl/boy vocals, on brief choruses and lazy voices. The Girl of Audiopixel intones a sweet childish lullaby on some disturbed electronic frequencies, dragged through continuous interrupt lines, while on Origami Mon Ami You hear a simple classic clean guitar acoustic play. - A different ambient for Percevalmusic, final band for this sampler, that alternates in Their Instrumental Rule, two tracks, one with a strong drumming and keyboard, - and a sinister church-like organ solo the latter. - You can find on this page several mp3s from the above-mentioned.
++++++++++++++++++
Collectif Effervescence records sampler features 2 tracks for 6 Bands. It opens with quiet artistic et acoustic air of The Patriotic Sunday (read greetings + review from past 11feb), and then it's time for powerfull instrumental post rock of Room 204, calling me early months of June of '44, melting a line of tension with blow-ups through guitar distortions. Stuntman5 play a sort of hip-hop on electronic and sampled carpets, touching rap music in somehow in a kind of steamy underground atmosphere. - Exit Stencil Shift recalls of that electronic music built on lo-fi melodies and demodé keybs, with girl/boy vocals, on brief choruses and lazy voices. The Girl of Audiopixel intones a sweet childish lullaby on some disturbed electronic frequencies, dragged through continuous interrupt lines, while on Origami Mon Ami You hear a simple classic clean guitar acoustic play. - A different ambient for Percevalmusic, final band for this sampler, that alternates in Their Instrumental Rule, two tracks, one with a strong drumming and keyboard, - and a sinister church-like organ solo the latter. - You can find on this page several mp3s from the above-mentioned.
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