Heisenberg
Immaginarie linee matematiche tra cielo e terra
(5tx CD, 18'' - Kill Rock Whores rec 2012)
| federico immigrato e rifugiato
Nella morale sociale, Benoít Malon sosteneva che la saggezza suprema nel nostro tempo consiste nel riuscire a pensare da pessimisti e ad agire da ottimisti.
Gli Heisenberg da Roma in un certo senso, con il loro Immaginarie Linee Matematiche Tra Cielo e Terra,
sembrano personificare questo bilanciamento esistenziale. Sospesi tra l'umore instabile e pre-emozionale di Rites of spring e Mineral e la
furia ultraoperativa diy degli inarrivabili La quiete
infatti è come se i nostri avessero la pala giusta anche per scavare un
ipotetico tunnel sotterraneo che collega la casa claustrofobica dei mai
troppo compianti Born against
con la vastità e la sterminatezza della visione delle terrazze più alte
da cui si sono mai affacciati gli Envy. Il principio di indeterminazione
nella fisica quantistica caro proprio al vecchio Werner Karl Heisenberg
implicava tutta una serie di riflessioni su come Terra e Universo, Uomo
e mondo non sono termini contrapposti, ma terminali e complementari di
uno scambio continuo di messaggi comunicativi. La monumentale montagna
rocciosa della copertina è come se raffigurasse minacciosamente questa
sorta di contiguità paurosa tra il cielo e la terra omaggiata nel
titolo.
Sarà che ci ricorda il booklet di An Anthology of Dead Ends dei
Botch, ma a noi ci predispone per il meglio. In generale pur pescando
dalla tradizione dell'hc italiano e riallacciandosi certe tirate
declamatorie care ai Kafka, gli Heisenberg dimostrano di avere uno
sguardo rivolto al futuro e e una predisposizone a trarre il meglio
dalle fonti extra musicali da cui attingono. Oltre Carver e DeLillo,
ci fa piacere anche constatare una luce chiarificatrice sul controverso
incontro di Copenaghen.
Ottima come al solito la produzione di Valerio Hombrelobo. Non è
del tutto chiaro se lui scelga gruppi da paura o che voglia imporre
reconditamente la sua impronta su tutti i lavori che produce, ma il
risultato è buono buono.
.·´¯¯`·. .·´¯¯`·.
° ° /_ .K ..·
·.. º .·
In social morality, Benoít Malon argued that the supreme wisdom in our time is to be able to think pessimist and act optimistic.
Heisenberg, from Rome, in a sense, with their Immaginarie Linee Matematiche Tra Cielo e Terra, seem to embody this existential balance.
Suspended between the changes and pre-emotional moods of Rites of spring and Mineral, and the fury of the operational and unreachable DIY of La quiete, it is as if they had the right shovel for digging a hypothetical tunnel connecting the house of claustrophobic Born against with the breadth of vision of the higher terraces Envy have ever popped up. The uncertainty principle in quantum physics, indeed dear to Werner Karl Heisenberg, involved a series of reflections on how the Earth and Universe, Man and the world are not opposing terms, but additional and terminal, into a continuous exchange of communicative messages. The monumental rocky mountain of the cover is like it menacingly got that idea of connection among the proximity of heaven and earth, mentioned in the album's title.
Maybe it's because the booklet reminds me of An Anthology of Dead Ends (Botch). In general, even if they take a lot from the roots of the local italian HC scene, they have like an open eye on future, and then an open mind.
Besides Carver and DeLillo, we appreciate to find a clarification about the controvertial meeting in Copenaghen.
Excellent as the sound production, by Valerio Hombrelobo. It's not that clear if it's him who chooses great bands, or if he unconsciously wants to impose his own trademark sound on all the works he produces, yet the result is good good.
.·´¯¯`·. .·´¯¯`·.
° ° /_ .K ..·
·.. º .·
In social morality, Benoít Malon argued that the supreme wisdom in our time is to be able to think pessimist and act optimistic.
Heisenberg, from Rome, in a sense, with their Immaginarie Linee Matematiche Tra Cielo e Terra, seem to embody this existential balance.
Suspended between the changes and pre-emotional moods of Rites of spring and Mineral, and the fury of the operational and unreachable DIY of La quiete, it is as if they had the right shovel for digging a hypothetical tunnel connecting the house of claustrophobic Born against with the breadth of vision of the higher terraces Envy have ever popped up. The uncertainty principle in quantum physics, indeed dear to Werner Karl Heisenberg, involved a series of reflections on how the Earth and Universe, Man and the world are not opposing terms, but additional and terminal, into a continuous exchange of communicative messages. The monumental rocky mountain of the cover is like it menacingly got that idea of connection among the proximity of heaven and earth, mentioned in the album's title.
Maybe it's because the booklet reminds me of An Anthology of Dead Ends (Botch). In general, even if they take a lot from the roots of the local italian HC scene, they have like an open eye on future, and then an open mind.
Besides Carver and DeLillo, we appreciate to find a clarification about the controvertial meeting in Copenaghen.
Excellent as the sound production, by Valerio Hombrelobo. It's not that clear if it's him who chooses great bands, or if he unconsciously wants to impose his own trademark sound on all the works he produces, yet the result is good good.
Feedback:
not yet, probably nobody cares, or nobody cared enough to tell something. Also: nobody reads komakino.
Leave a feedback about this post, or don't.
your sweet name:
your IMPORTANT text:
url:
icon: will be resized 30x30pxl
your IMPORTANT text:
url:
icon: will be resized 30x30pxl
.jpg)
see blah blah archives
