Post-rocker che non sfigurerebbero in casa Psychotica
records, data la miscela di noise, soluzioni spigolose e l'impronta
prevalentemente strumentale. Terzetto della provincia vicentina, power
trio basso/gtr/batt, qui con 9 tracce demo che seppur registrate in
presa diretta in soli 3 giorni, come leggo, sono cmq forti di una
produzione discreta dei suoni. Alternando strumentali a pezzi cantati,
dove la voce di Damiano porta i suoi numeri, ruvida e matura com'è, le
canzoni seguono principalmente le regole sincopate del genere, dove i
giri di stop&go, chitarra in acido e forti percussioni stanno a
inquadrare le cavalcate (su tutte Oh Sweet Sixteen). Insomma,
i pegni/debiti geometrici dello stile sono tanti da pagare, ciò non
toglie la validità del Gruppo, che invece che luminosa è illuminata.
++++++++++++++++++++++
Post-rockers that may well match with Psychotica records' releases, - seen the blend of Noise, cornered solutions, and prevalently instrumental print. Coming from northern italy, nearest of Vicenza, this power trio (read gtr+bs+drums), here with 9 demo tracks that are strong indeed of a well done production, even if live recorded in 3 days only, - as i read. It sees balanced instrumental with songs with vocals, where Damiano sings with the strenght of a voice mature and rough. Titles principally stay at syncopated rules of genre, where riffs of stop&go, rancid guitar and strong drumming focus on wild or inner rides (Oh Sweet Sixteen on all). I mean, geometry debts of thi stule are totally due, but that doesn't change the validity of Their Music: instead of being bright, it's simply illuminated.
++++++++++++++++++++++
Post-rockers that may well match with Psychotica records' releases, - seen the blend of Noise, cornered solutions, and prevalently instrumental print. Coming from northern italy, nearest of Vicenza, this power trio (read gtr+bs+drums), here with 9 demo tracks that are strong indeed of a well done production, even if live recorded in 3 days only, - as i read. It sees balanced instrumental with songs with vocals, where Damiano sings with the strenght of a voice mature and rough. Titles principally stay at syncopated rules of genre, where riffs of stop&go, rancid guitar and strong drumming focus on wild or inner rides (Oh Sweet Sixteen on all). I mean, geometry debts of thi stule are totally due, but that doesn't change the validity of Their Music: instead of being bright, it's simply illuminated.
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