Gianni Gebbia, Lukas Ligeti, Massimo Pupillo
The Williamsburg Sonatas
(8tx cd, 41'17'' Wallace rec 'o5)
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Registrazioni che risalgono al febbraio 2oo1, - tirate
però fuori dal cassetto per essere pubblicate da Wallace
solo questo gennaio. Cazzo che disco. Un puro gioiello
Jazzzzz, un amore supremo per John Coltrane
che incontra una rumoristica espressione più contemporanea
grazie agli intrecci del basso. Tre nomi noti nell'Ambiente,
con background da tappeto rosso + eccellenti collaborazioni nel CV:
- leggo di Lee
Ranaldo, Jim
O'rourke, Guy
Picciotto, Shellac, Zu,
Elliot Sharp, Tzadik
rec, e tantissimi Altri ancora. - Raccomandazioni a parte,
l'album è godibilissimo, sperimentale, e metropolitano come
le grafiche di bassifondi newyorkesi del booklet. Gebbia
al sassofono è un creativo che suona il suo aggeggio come a
fare anelli di fumo nell'aria che si tramutano subito in disegni e
animazioni vive e unigene (The Vertical Journey). La batteria
di Ligeti segue e porta all'esponenziale tutte le
divincolazioni free del basso di Pupillo, passando
dalla suite più classica di Anarchytecture e Pay
For Soup.. alla Hollenberg Pony Express, clinica deframmentazione.
Curiosità: ogni pezzo è dedicato ad Autori e Amori
vari, da Basquiat
a Zorn, tanto
per marcare lo spirito disordinato nel Genio che alimentà queste
Sonate.
++++++++++++++
Recordings of february 2oo1, - moved out of the drawer to be released by local Wallace only on this January. Hell, that's a record! A pure Jazzzz jewel, a supreme love for John Coltrane, meeting Noise control expression dear to contemporary, thanks to plots of the bass. Three well known names from the Ambient, with a special background, plus excellent collaborations with Lee Ranaldo, Jim O'rourke, Guy Picciotto, Shellac, Zu, Elliot Sharp, Tzadik rec, and Lots more. Besides Recommendations, this album is fully enjoyable, experimental, and underground, like the new-york_ish suburbs graphics inside the booklet. Gebbia at sax is a creative one, able to play his toy like makings rings of smoke in the air, becoming self-animated drawings (The Vertical Journey). Drums by Ligeti, they bring even higher all the free school diversions of Pupillo's bass, passing from the classic suite of Anarchytecture and Pay For Soup.. to Hollenberg Pony Express, kind of clinic deconstruction. A curiosity: each track is dedicated to various Authors and Loves, from Basquiat to Zorn, just to mark the disordered spirit feeding the Talent of these Sonatas.
++++++++++++++
Recordings of february 2oo1, - moved out of the drawer to be released by local Wallace only on this January. Hell, that's a record! A pure Jazzzz jewel, a supreme love for John Coltrane, meeting Noise control expression dear to contemporary, thanks to plots of the bass. Three well known names from the Ambient, with a special background, plus excellent collaborations with Lee Ranaldo, Jim O'rourke, Guy Picciotto, Shellac, Zu, Elliot Sharp, Tzadik rec, and Lots more. Besides Recommendations, this album is fully enjoyable, experimental, and underground, like the new-york_ish suburbs graphics inside the booklet. Gebbia at sax is a creative one, able to play his toy like makings rings of smoke in the air, becoming self-animated drawings (The Vertical Journey). Drums by Ligeti, they bring even higher all the free school diversions of Pupillo's bass, passing from the classic suite of Anarchytecture and Pay For Soup.. to Hollenberg Pony Express, kind of clinic deconstruction. A curiosity: each track is dedicated to various Authors and Loves, from Basquiat to Zorn, just to mark the disordered spirit feeding the Talent of these Sonatas.
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