Roma da diversi anni si è rivelata quale rilevante laboratorio
di sonorità elettroniche, al pari di altre capitali europee, e non
è difficile imbattersi in personaggi (come in questo caso)
particolarmente
abili nella creazione di paesaggi digitali generati dalle
macchine. Quella
di Moket
(un composer per portatile da manuale) è una musica per
cerebro-architetture
espanse, ricca com'è di trame ambientali a la maniera degli Autechre
e sostenuta da poliritmi leggeri in alcuni momenti prossimi
all'estetica
trip hop. Questa elettronica interiore episodicamente rivela
l'influenza
degli attuali microcompositori, ed un qual gusto per il
minimalismo eurocolto
in vena di cassa dritta (il terzo brano, brillante elucubrazione
concettuale
con reminiscenze di Pole
e Brinkmann)
benché anche in quei frangenti la musica mantenga sempre le sue
forti
connotazioni/fascinazioni autunnali. C'è un alone di malinconia
(soul
forse, comunque anima) che attraversa tutto il cd, persino beats
di classe,
raffinatezze prossime alla Mo-Wax ed arrangiamenti orchestrali che
scivolano
sulle levigate lastre sintetiche disegnate dagli strumenti
elettronici.
Notturno e artificialmente intelligente, Moket
è in grado di mettere d'accordo gli scoppiati dell'IDM, i
romantici
del neo-Kraut e gli assidui evoluzionisti della dancefloor. Quello
che va
detto di questo cd, è che si tratta soprattutto di un ascolto
estremamente
piacevole (giurin giurella) e che se ve lo accattate lo metterete
da subito
tra le vostre priorità intelligent techno. - 12 trx x 52 minuti
circa,
su cd-r.
||||||||||||||||
Rome, since several years, showed to be a considerable lab for electronic sonorities, just like some other european capital cities, and then it's easy meeting some people (like in this case) particularly skilled in creating digital landscapes generated by machines. Moket's one (a typical lap-top composer) is music for expanded cerebro-architectures, as rich as it is of ambiental woofs as Autechre, and substained by light multi rythms in some moments closed to trip-hop aesthetics. This inner electronic music shows in some episodes some influences of nowadays micro-composers, and a certain taste for euro-learned minimalism, driven by mono-technobeat (third track, brillant conceptual lucubration with Pole and Brinkmann rememberings), although in those moments Moket's music hold his own autumnal charm/connotations. There's a shadow of blues (soul-like maybe, anyway, it's a soul), crossing the whole cd, even class-beats, refinements next to Mo-Wax and orchestral arrangements, sliping on smooth synthetic surfaces, drawn by electronical instruments. Nocturnal and artificially cute, Moket is able to be loved by IDM fanatics, and neo-Kraut romantics, and dancefloor habitué. Last thing to add, i have to say listening this cd has been extremely loveble (i swear!), and if You get it, it'll become one of Your favorite piece of intelligent techno. 12tx for about 52 min, and it's a cd-r..
||||||||||||||||
Rome, since several years, showed to be a considerable lab for electronic sonorities, just like some other european capital cities, and then it's easy meeting some people (like in this case) particularly skilled in creating digital landscapes generated by machines. Moket's one (a typical lap-top composer) is music for expanded cerebro-architectures, as rich as it is of ambiental woofs as Autechre, and substained by light multi rythms in some moments closed to trip-hop aesthetics. This inner electronic music shows in some episodes some influences of nowadays micro-composers, and a certain taste for euro-learned minimalism, driven by mono-technobeat (third track, brillant conceptual lucubration with Pole and Brinkmann rememberings), although in those moments Moket's music hold his own autumnal charm/connotations. There's a shadow of blues (soul-like maybe, anyway, it's a soul), crossing the whole cd, even class-beats, refinements next to Mo-Wax and orchestral arrangements, sliping on smooth synthetic surfaces, drawn by electronical instruments. Nocturnal and artificially cute, Moket is able to be loved by IDM fanatics, and neo-Kraut romantics, and dancefloor habitué. Last thing to add, i have to say listening this cd has been extremely loveble (i swear!), and if You get it, it'll become one of Your favorite piece of intelligent techno. 12tx for about 52 min, and it's a cd-r..
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